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Unlock Your Inner Hero: Self-Discipline Lessons From Mythology

Legendary Self-Discipline: Lessons from Mythology and Modern Heroes on

Choosing the Right Path Over the Easy Path By Peter Hollins

Hear it Here - https://bit.ly/legendaryselfdiscipline

00:00:00 Legendary Self-Discipline

00:01:20 Pandora’s Box and the practice of discretion and patience

00:13:42 Daedalus and Icarus and the merits of moderation

00:27:24 Athena and Arachne and the saboteur that is ego


https://www.amazon.com/dp/B089G6MNQC


Fight temptation, tame your impulses, and learn to persevere.


We know we should use self-discipline, just like we know we should

budget more wisely, or eat more healthy. But just because we know about

something doesn’t mean we know how to do it.


See role model; copy role model. It's the quickest path from Point A to

Point B.


.#Arachne #Athena #Daedalus #DelosIsland #Icarus #EmperorAugustus #Epimetheus #Prometheuss #KingMinos #Pandora #PandorasBox #Zeus #RussellNewton #NewtonMG #PeterHollins #TheScienceofSelf #LegendarySelf-Discipline #UnlockYourInnerHero #Self-DisciplineLessonsFromMythology

Transcript
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Legendary Self-Discipline:

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Lessons from Mythology and Modern Heroes on Choosing the Right Path Over the Easy Path By Peter Hollins, narrated by russell newton.

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Though every one of the stories that

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follow could be interpreted in many

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ways,

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we’ll be looking at them through a

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very practical,

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modern-day lens and asking what they

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can teach us today about personal

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development,

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ethics,

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discipline,

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mastery and maturity.

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These stories are not “true” in the

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sense that they ever actually took

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place,

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but they are true in that they tell us

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something deep and intimate about the

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psyches (incidentally,

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Psyche herself was also a Greek

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goddess!)

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of the storytellers.

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Can we glean some fundamental truths

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about human nature by looking at the

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stories we’ve been telling ourselves

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for millennia?

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Myths are potent,

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mysterious and have very dark,

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distant origins in the human mind and

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in our history.

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Reading them is a little like shifting

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through architectural ruins and

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imagining the places that people built

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for themselves in the past,

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and why.

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Can we see any echoes of our own

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humanity in these ancient stories?

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And if so,

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can we learn any powerful lessons from

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our distant ancestors about how to live

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a wise,

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fulfilled and moral life?

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Pandora’s Box and the practice of

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discretion and patience in the pursuit

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of knowledge.

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In Greek mythology,

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Pandora was the first human female,

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and she was made from earth and water

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in the workshop of Hephaestus,

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the god of metalworking,

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masonry and sculpture.

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Zeus had asked her to be made in an

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effort at revenge after Prometheus had

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stolen fire from the gods and given it

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to humanity.

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The pantheon of gods all gave gifts to

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the new woman,

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whose very name means “all gifts."

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Aphrodite,

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the goddess of love,

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gave her beauty,

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and Athena,

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the goddess of wisdom and war,

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gave her intelligence.

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Zeus,

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however,

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gave her the most curious gift of all -

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a stone jar (subsequently described as

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a “box”)

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that he told her to never,

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ever open.

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Zeus then sent Pandora with all her

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gifts to Epimetheus,

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Prometheus’s brother.

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Expecting revenge,

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Prometheus had told his brother never

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to accept any gifts from Zeus,

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but as you can guess,

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he welcomed Pandora and she then failed

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to resist and opened the jar to see

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what was in it.

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Flooding out of the jar came all the

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evils of the world - sickness,

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death,

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hatred,

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hunger,

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fear,

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sadness… Pandora quickly tried to

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close the box,

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but it was already too late.

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She had “opened a can of worms” and

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everything had already escaped.

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By the time she closed it,

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there was only one thing left inside -

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hope.

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Evil and pestilence had been let out

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into the fresh world,

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and for what?

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How should we interpret this myth

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today,

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thousands of years after its first

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telling?

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Scholars have picked apart the exact

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meaning,

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but we will likely have no need for the

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academic details here.

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The fable is certainly an evocative

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one,

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bringing to mind themes of Eve eating

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the forbidden fruit,

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or of Bluebeard’s wife opening a door

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in the castle she was told never to

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enter.

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It may even call to mind the story of

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Sleeping Beauty,

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who is also gifted many virtues of

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supernatural origin,

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as well as a curse from a more

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malicious source.

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We can wonder at the nature of the

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gifts—beauty and wisdom naturally

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seem like wonderful things,

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but in gifting a jar of evils,

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was Zeus intending these things to

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merely bedevil humankind or are they,

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in a way,

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gifts as well?

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This is made more curious still by the

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fact that hope is included as one of

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the evils,

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and it does not make it out into the

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world—is having hope an essentially

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good or bad thing?

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Though we will miss certain nuances

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here (our intention is not to conduct

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an academic analysis of the classics)

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we can engage with this myth as it

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stands,

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seeing what ideas and emotions it

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evokes in us.

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There are perhaps two interpretations

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here that may spring to mind.

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The first is that the evils of the

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world have come to be because of a flaw

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in a character who does not obey orders

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and do what they’re told.

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Pandora simply doesn’t listen.

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It’s not that she’s a bad person,

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she’s simply too curious.

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The gods,

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making their wishes clear,

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forbid Pandora from certain kinds of

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knowledge (just as Eve is forbidden

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from eating from the tree of the

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knowledge of good and evil).

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But who wants to be told that there is

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something in the world they are not

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allowed to know—especially when no

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reason is given for this rule?

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Unable to control herself,

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Pandora’s curiosity compels her to

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trespass and break a rule imposed on

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her by a higher authority.

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For this she is punished,

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and the lesson is clear - do as

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you’re told,

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rein in your nosiness and you’ll

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remain blissfully unaware of the bad

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things in life.

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In fact many myths and stories take

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this shape - the protagonist is too

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inquisitive for their own good,

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and wants to know things that are

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forbidden to them,

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only to be punished when they really

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experience that knowledge.

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The idea is that there is innocence in

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ignorance,

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but that knowledge is somehow painful.

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You can probably relate to this on some

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level—we have the tale of a nosy wife

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who wished she hadn’t pried in her

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husband’s secrets,

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or the shadowy C. I. A. agent who tells

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us,

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You can’t handle the truth.

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The other interpretation is a little

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more subtle.

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Zeus only embarks on this caper because

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he is already angry at how much humans

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know—they’ve received the fire of

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the gods which was forbidden to them

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(and Prometheus has much in common with

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Pandora in breaking rules to spread

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knowledge).

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Zeus did not merely unleash evils on

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the world,

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which he could have easily done.

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Rather,

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he gave humankind the choice.

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He must have known that in forbidding

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them,

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in concealing the evils in a jar,

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Pandora would open it willingly and

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unleash the evils on herself.

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This could well be seen as a

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punishment,

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but we can also see these things as a

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kind of gift.

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The allegory can suggest that something

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in humankind propels us to learn,

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to grow and find out more—in other

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words to be curious!

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It doesn’t matter if we are

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forbidden,

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or if higher authorities tell us not to.

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In fact,

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this might increase the appeal!

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But there is a price for knowledge.

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There is always a sacrifice,

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and nothing comes for free.

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Unlike the “good” gifts,

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which can be received easily as they

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are,

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the “bad” gifts come about as a

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result of free will.

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In learning more about the world,

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our eyes open,

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we cannot unsee what we have seen,

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and sometimes the things we learn may

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be very upsetting.

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Human progress,

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driven by curiosity,

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the desire to know and understand more

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and more,

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leads to the evils of the world.

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It’s akin to being expelled from Eden

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after learning “the truth."

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This can be seen as a lesson in

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maturity.

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Every parent wants to protect their

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innocent child from learning about the

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world too fast,

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from absorbing information that may be

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too much for them too soon.

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This myth is a stern warning about

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respecting the fact that knowledge

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often comes with a price.

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It is both a tale of what happens when

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you don’t obey wiser authorities,

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but perhaps also a lesson in how these

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things are inevitable—children often

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have to try out something for

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themselves to learn,

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and in learning that lesson,

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they incur some pain.

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If we bluster ahead merely because we

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have the free will to do so,

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merely because we cannot contain our

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curiosity,

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we may wade into territory that we are

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not equipped to deal with,

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and make choices we cannot undo.

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What is the correct attitude to

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learning,

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to progress and development?

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Humankind has been making

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advances—scientific,

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social and even spiritual—since the

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beginning of time.

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But some of these advances can be said

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to have come at an enormous price.

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Developments in physics are the result

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of an insatiable curiosity on the part

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of the scientists,

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but were used to create the atom bomb,

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poisons,

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new and deadly weapons,

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machines for control and torture—all

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things that can be said to be

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“evils” to humanity.

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We cannot go back,

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just as Pandora cannot put any of the

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world’s evils back in the jar.

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But many of us would say that even

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though development and progress is

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sometimes marred with poor judgment,

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harsh lessons and horrible realizations

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that can’t be undone—we wouldn’t

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necessarily want them to be undone.

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In other words,

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the cost was worth it.

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In our own lives,

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we can approach our personal

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development with a similar degree of

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consciousness and maturity - rushing

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ahead before we truly understand

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something or before we are ready for it

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is usually disastrous.

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We must rein ourselves in and exercise

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self-discipline.

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Seeking out knowledge simply because we

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are curious is fine,

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but learning must be undertaken with an

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understanding that sometimes the things

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we discover can be quite frightening,

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and will result in a loss of innocence.

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This lesson may come across as

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distinctly old-school to the modern

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reader.

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It’s the equivalent of an old woman

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sternly warning you to take heed of

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your elder’s advice,

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or else.

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But perhaps this is where the modern,

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particularly Western reader may most

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benefit.

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From our cultural context,

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progress is often seen as an absolute

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good,

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and knowledge is to be sought almost

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for its own sake,

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with nobody sparing a thought for the

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outcomes.

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The idea is that it doesn’t matter

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whether you should,

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but whether you can.

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But there are many Pandora’s boxes

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that have been opened in such a spirit,

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and now cannot be closed again.

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How can we use this wisdom in our own

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lives?

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Curiosity is a wonderful thing,

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and nobody would suggest you lose all

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wonder and interest in learning new

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things.

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Rather,

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when you embark on a new project of

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learning,

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be wise about it.

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Are you really prepared and ready for

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what you may learn?

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When we forbid young children from

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watching certain movies,

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for example,

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it’s not because we want to control

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them—it’s because we want to

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protect them.

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When they are old and mature enough,

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they can truly process what they see

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without harm.

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Can you exercise the same wise

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discretion for yourself?

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Self-control and self-discipline are

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paramount here.

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They can serve as the mental equivalent

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of treading carefully on a hike,

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and making sure you don’t embark on

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terrain you are not physically fit

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enough to endure.

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An obvious,

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practical,

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real-world example is that of the nosy

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spouse.

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They see their partner’s private

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journal that they are compelled to

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read,

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despite knowing it’s wrong.

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Curiosity gets the better of them.

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They soon know far more than they ever

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did—but the cost is that the

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“evils” that come from this

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knowledge are enough to damage the

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relationships forever.

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Consider also someone who asks their

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friend,

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“Tell me what you think of my

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screenplay,

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I want you to be really honest” and

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then is told,

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to their heartbreak,

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that the screenplay is garbage.

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On a purely practical level,

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there is the image of a precocious

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novice who is told by his teacher to

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focus on certain tools,

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techniques or texts that are

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appropriate to his level.

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In his arrogance,

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he rushes ahead and wants to know it

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all at once.

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He uses a tool that he can’t manage

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and hurts himself,

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or reads a text that thoroughly

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confuses or distresses him,

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or sets his progress back because he

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suddenly realizes how far he has to go

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and is demoralized.

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Curiosity is good,

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and so is learning.

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But self-discipline is invaluable in

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telling us the pace we should take in

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our development.

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Though we would like to believe

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otherwise in our modern and democratic

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times,

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not all knowledge is for all people at

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all times.

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There are remote and isolated tribes in

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pockets of the world that governments

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deliberately forbid any contact with.

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It’s because they know that

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encountering that much knowledge all at

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once,

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essentially millennia of progress in a

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single lifetime,

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would completely overwhelm and threaten

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these tribes.

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Rather they must be left alone to

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develop at their own pace.

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The wisdom,

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then,

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is in knowing one’s own limitations

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and having the discipline to be

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patient,

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to direct one’s curiosity through the

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appropriate channels.

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Try to guard against seeking out

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knowledge merely because you can’t

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contain your nosiness.

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Rather,

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plan your path to wisdom as though you

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were making your own carefully

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considered curriculum.

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Build on your knowledge in stages,

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take your time and digest what you

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learn completely before moving on.

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Lastly,

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the biggest lesson may come in the

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realization that knowledge inevitably

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brings with it a certain loss of

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innocence,

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a certain maturity.

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Approach this gently,

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thoughtfully and with awareness,

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and the “evils” of the world can be

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seen as lessons that give us wisdom.

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Daedalus and Icarus and the merits of

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moderation .

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Many of the Greek myths have the same

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flavor we find in the tale of

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Pandora’s box—warning against going

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too far,

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being too arrogant,

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and trespassing into the realms that

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more rightly belong to the gods.

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The famous story of Daedalus and his

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son Icarus is a prime example,

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and even today this theme survives in

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modern stories of special people who

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“flew too close to the sun” and

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failed.

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The story is simple.

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Daedalus was a master inventor and

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designer,

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trained by the mighty goddess Athena

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herself,

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and he was commissioned by King Minos

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to create a vast and complicated

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labyrinth.

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The purpose of the labyrinth was to

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forever trap the monster minotaur,

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who was half bull and half human.

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The existence of this aberrant creature

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is a complex tale in itself—powerful

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Minos was favored by the gods and given

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a white bull.

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They told him to sacrifice it,

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but he disobeyed,

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and in revenge the gods caused

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Minos’s wife to fall in love with the

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white bull,

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producing their monster child,

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the minotaur.

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To hide his shame,

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Minos needed a place to put this

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creature,

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and this is where Daedalus and his son

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come in.

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Having completed this glorious maze,

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however,

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King Minos imprisoned father and son

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inside it (Minos is clearly not the

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most ethical of characters!)

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to prevent anyone learning about the

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labyrinth at all.

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But crafty Daedalus concocted a plan on

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how to escape.

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Gathering feathers from birds and

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sticking them together with wax to make

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wings,

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the pair designed their escape—they

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would fly out of the maze.

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As they made their escape,

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wise Daedalus warned his son not to fly

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too close to the sun because the warmth

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would melt the wax and disintegrate his

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wings.

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They succeeded for some time,

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but after they passed Delos Island,

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Icarus forgot the warning and flew

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higher and higher.

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As Daedalus predicted,

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the sun melted the wax,

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the wings broke,

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and poor Icarus fell to the sea and

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drowned.

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This myth is a powerful one because it

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so clearly and simply explains rather

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complex ideas of overambition and human

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egotism.

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The warning takes the symbolized shape

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of flying “too high."

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In many languages and myths,

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those who are “down to earth,”

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“salt of the earth” or with their

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“feet firmly on the ground” are

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practical,

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realistic,

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and straightforward types.

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It’s the idea of ascension that

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belongs to lofty goals,

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rising up to new,

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better heights,

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grand visions and glorious achievements.

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These things are symbolized in all

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human psyches as belonging to the

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inviting but frightening realms of the

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air.

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Haven’t we all looked at the birds

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and dreamt that one day we,

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too,

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could break the earth’s hold on us

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and soar freely like them?

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But in this story,

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ascension—especially when it is

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unwise and unchecked—leads to

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disaster.

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Not only does Icarus fall back to

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earth,

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his fall kills him entirely.

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In going too high,

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we are punished and made to fall an

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equal distance back down again.

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We see modern-day Icarus characters all

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around us in the form of celebrities

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who rise to meteoric fame only to be

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dashed down to earth through one

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scandal or another,

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seemingly punished with a fall that

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corrects their overambitious ascent.

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Precocious child prodigies,

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overnight millionaires or superstar

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entrepreneurs have all charted this

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path of too high too soon.

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In interpreting this story,

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we can see that it’s not flight per

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se that is dangerous.

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Finding a clever and innovative way to

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solve problems is not strictly

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punishable,

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since the wise and crafty Daedalus

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survives using the very same tools and

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plan that his son does.

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He succeeds,

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perhaps,

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because he uses his wings purely as a

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tool to escape his predicament.

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He understands the limitations of these

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wings,

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and respects them.

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A crucial part of the story that is

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often left out is the extra piece of

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advice Daedalus gives to his son—that

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he is not to fly too low either,

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or the water will make his wings heavy

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and pull him down.

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So,

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what was the nature of Icarus’s

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mistake?

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Why did he have to pay his life for

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this mistake?

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Icarus does not use the wings purely as

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a tool.

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He doesn’t remain cognizant of their

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limitations—his limitations—and

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forgets the wise advice of his father.

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Can you picture young Icarus,

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whooping and soaring and feeling like a

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king after being trapped in the

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dungeon-like maze?

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Can you imagine the thrill of having

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wings?

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It’s easy to think of the youth

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forgetting that the wings are there to

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help him escape,

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and instead getting caught up in the

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delight of flying,

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showing off,

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“spreading his wings” and daring

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himself to greater and greater delights

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in the air.

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In other words,

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Icarus allowed his ego to overtake his

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common sense.

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His ambitions are understandable,

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but they were unbalanced,

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overreaching.

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They took him past his own limitations.

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His was a failure to maintain

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moderation—why?

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Perhaps,

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in tasting a little bit of freedom and

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the thrill of flying,

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he was seduced to greater and greater

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heights,

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well out of the bounds of the normal

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and practical.

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This elevated range is not sustainable.

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The heat of the sun (an eternal symbol

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of something godlike,

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rarified,

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ultimately powerful,

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life giving but not safe to stare

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directly at!)

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is too strong and destroys his wings.

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The wings here are the very things that

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allow him to reach the heights in the

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first place,

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but are undermined by too sharp an

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ascent.

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A modern parallel is a young rock star

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whose brilliant talent allows him a

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steep rise to fame.

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But he keeps on rising,

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getting closer and closer to his own

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“sun,” until the rigors of fame

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(exhaustion,

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drug use,

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poor mental health,

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money squabbles,

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family trouble,

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etc.)

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start to corrode the very talent that

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allowed him to find success in the

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first place.

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He “falls."

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A person suffering bipolar disorder may

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experience this same arc

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regularly—seduced by the sun in the

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form of overambitious and lofty goals,

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only to find the heights are

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unsustainable—and it’s a long,

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long way down.

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Icarus’s behavior is a warning to us

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all.

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We can imagine Daedalus trying to teach

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his son—yes,

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it’s tempting to go as high as you

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can,

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to stretch your abilities to the limit

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and beyond,

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but you need to respect your

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limitations or be destroyed by them.

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It may seem far more fun to go all-out,

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have grand plans and epic dreams,

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but in the long run these ambitions may

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actually be less sustainable than a

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path forged more moderately.

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The question of moderation turns up

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frequently,

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and not just in Greek mythology.

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The wise path is frequently the middle

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one - like Goldilocks’ perfect

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porridge,

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it’s not too hot or too cold.

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It’s just right.

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An implied corollary lesson in the tale

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of Icarus is that it would be just as

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bad to fly too low.

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Those people who have too few ambitions

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and who plod along too close to the

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earth can also suffer because of it.

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You get bogged down and perish all the

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same if you never challenge yourself,

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never rise to the occasion,

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never follow your dreams but instead

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stick close to the path well-trod by

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others.

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The best way is seldom the biggest,

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best,

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flashiest and most dramatic one.

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The best technique is rarely to go all

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out.

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Rather,

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it’s a question of appropriateness.

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Of balance and a light touch to discern

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when to push and when to hang back.

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The truly successful in life,

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the tale seems to suggest,

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know how to practice self-control and

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restraint,

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tempering the human urge to vault into

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the unknown without a care in the world.

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How can we apply these principles to

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our own lives,

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especially when it comes to moderation?

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It can be tricky when we live in a

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world that in many ways encourages epic

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and unsustainable levels of success.

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Surrounding us are stories and images

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of impossibly beautiful women,

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impossibly wealthy men,

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impossibly skillful scientists and

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creators,

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impossibly talented athletes and

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impossibly intelligent philosophers…

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We tell our children to dream big and

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lap up stories of rags to riches and

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the American Dream,

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telling us that an ordinary person can

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and even should aspire to the absolute

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peak of achievement.

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Not only does the intensity of this

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ambition frequently backfire (how many

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of us actually achieve it?)

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but for the few that “succeed,” the

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intensity is often damaging.

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We don’t hear as often the stories of

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successful entrepreneurs who have

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sacrificed everything at the altar of

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business,

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including relationships,

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physical health,

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even their sanity.

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We forget about the stars after they

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burn out and retreat.

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Ours is a culture that encourages

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people to always be more,

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more,

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more.

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The irony is that the more measured,

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mature (and to some,

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more boring!)

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approach actually has the better chance

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of lasting success and happiness.

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Fly,

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but not too close to the sun.

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Strive,

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develop and have goals—but temper

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these with realistic restraint.

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Daedalus never forgets what he is meant

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to be doing - escaping to safety.

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It’s this that is at the front of his

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mind,

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and not the wings themselves.

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Icarus’s downfall could also be a

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warning against narcissism and vanity.

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By becoming enamored with his own

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ability to fly,

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Icarus forgets what the wings are

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actually there for.

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Thus,

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an author that finds sudden and

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spectacular fame may get a big head and

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start to view his art more as ego

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stroking for his vanity,

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and not about the writing itself.

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To combat this sort of waywardness,

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we have to consistently be aware of and

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resist the temptation to go further

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than we should—or can.

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In all your goals and dreams,

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can you be honest with yourself and ask

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what proportion of the goal is simply

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for your own self-glorification?

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Have you ever tasted a little success

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and then ran with it,

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well beyond your limits?

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Self-discipline is difficult,

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and it’s most difficult to conjure up

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in the moments it’s most needed -

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those times when we feel seduced by the

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“big lights” of our own grand

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narcissism,

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the temptation to be a star in our own

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lives,

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to have a grand,

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thrilling life.

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This is,

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essentially,

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an immature state of mind,

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and one that the older Daedalus knows

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to ward against.

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A young man could be raised up out of

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poverty by being selected for a sports

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scholarship.

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He is praised by others and soon starts

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to enjoy the attention,

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relishing in his own natural talents

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and pushing himself further.

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He achieves some success and almost

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becomes addicted to it.

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Why not expand?

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He could put his name to popular brands

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to make more money.

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He finds himself “living large” and

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going into debt to live in princely

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homes,

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indulging in expensive and

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unsustainable habits.

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He stars in cameo roles on T. V.,

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his ego growing day by day.

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Some warn that he has forgotten his

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roots,

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and has lost touch with reality.

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He starts dabbling with politics,

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fancying himself as a businessman and

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philanthropist who wants to use his

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money to invest and start foundations

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and scholarships… You already know

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the end to the story!

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However,

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you don’t have to actually live a

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dazzling tale like this to derive value

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from the Icarus story.

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Every time you ignore your own limits

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in order to strive for some lofty goal

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purely for your own ego,

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you are like Icarus,

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failing to heed the advice of

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moderation.

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A good technique is to constantly

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maintain awareness of your motivations,

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and your real goals.

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Icarus could have done well to remember

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what he was doing—escaping.

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Don’t forget your own goals.

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What are you truly after?

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Don’t get distracted from that,

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no matter what tempting offers come to

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sidetrack you.

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Truly masterful and accomplished people

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know that the ego and naïve,

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youthful ambition can actually get in

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the way of achievement,

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rather than support it.

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Take yourself out of the equation and

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never forget to ask how you can be

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better,

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no matter how much success you feel you

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have and want to celebrate.

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Be moderate and measured.

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Drop notions of godlike glory and

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fame—you may feel like a champion for

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pulling an all-nighter working on your

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brilliant new business idea,

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but you’d be better off living a more

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balanced lifestyle,

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channeling your excitement

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appropriately.

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The choice may be between one

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all-nighter followed by a crash and a

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completely failed project,

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or a week of patient,

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balanced workdays and a successful

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project.

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“Pride comes before a fall” goes

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the old wisdom.

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Being too attached to the outcome of a

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goal can ironically undermine your

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performance.

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If you think of truly brilliant and

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accomplished people in this world (not

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the momentary celebrities,

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but the lifelong masters),

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their approach is slow-and-steady,

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and they work on their goal for the

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goal’s sake,

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not for their own glorification.

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They aren’t superstars,

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and they’re not failures,

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but rather they have found that

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perfectly moderate Goldilocks zone in

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the middle.

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Athena and Arachne and the saboteur

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that is ego.

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Let’s take a closer look at ego and

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how it can undermine even genuine

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talent.

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You don’t have to be a student of the

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Greek classics to notice that many of

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the myths have a consistent theme in

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the supposed correct relationship of

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humans to the gods - obedient,

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humble and deferential.

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There are many stories of what happens

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when mere mortals fail to know their

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place,

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but one of the most striking is the

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story of Athena and Arachne.

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Arachne was a shepherd’s daughter,

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who from a young age showed astounding

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skill at weaving.

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However,

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she was a boastful woman and didn’t

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acknowledge that her talents stemmed

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from,

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in part,

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the goddess Athena,

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who was patroness of weaving.

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To teach Arachne a lesson,

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Athena challenged her to a contest,

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but allowed her to gracefully bow out

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to save face.

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Arachne refused to step down,

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claiming that she was the best weaver

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and could beat even the goddess herself.

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Her attitude was what the ancient

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Greeks called hubris—an overreaching

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sense of arrogance.

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At the contest,

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Athena weaved classical scenes of the

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god’s rebuking and punishing mortals

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who believed themselves on their level.

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Arachne depicted the god Zeus

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deceiving,

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tricking and even seducing mortals—a

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very cheeky statement indeed.

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The goddess,

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seeing this and noting also that

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Arachne’s work was indeed better than

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hers,

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was furious.

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She destroyed the weaving and struck

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Arachne,

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who was so ashamed that she soon hanged

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herself.

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Athena’s stern punishment was to turn

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Arachne into a spider (indeed her name

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means spider in ancient Greek),

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so she could spin for all eternity.

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What are we to make of this tale?

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Here it’s important to note that the

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historical and cultural nuances of this

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story are complex,

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and carry themes of provoking authority

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and perhaps even a satirical poke at

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what was autocratic rule by Emperor

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Augustus at the time.

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Nevertheless,

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we can adapt this tale for more modern

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tastes quite easily.

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Though few today will claim to

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seriously believe in “the gods,”

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the truth is that we do function with a

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fixed idea of external authorities that

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rule over our lives—our “gods”

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could be government,

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the various powers that be,

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“the rich,” the culture at large

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and its norms and values,

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the economy,

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the law,

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even natural scientific principles that

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are felt to reign over us in a more or

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less non-negotiable way.

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By seeing the allegorical gods in Greek

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myths more as ideas,

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archetypes and beliefs,

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we can begin to uncover more depth to

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the story.

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Arachne’s transgression is clear -

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she’s arrogant,

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and immature.

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Her overconfidence allows her to see

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herself as the sole cause of her

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success,

Speaker:

rather than acknowledging that luck,

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fate or the support of others might

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have played a role,

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too.

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Rather than being grateful for her

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abilities,

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she is cocky and boastful.

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She is like a student who precociously

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challenges their master,

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completely forgetting that the master

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has taught them so much of what they

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know,

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or a cheeky young child mocking his

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parents for being boring and uncool,

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not realizing that his parents are that

Speaker:

way in part because they’ve worked so

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hard to provide for him!

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A crucial detail in this story is that

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Arachne is actually right—she is a

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better weaver than the goddess and

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proves it.

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She accurately shows an unflattering

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portrait of Zeus himself,

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criticizing his behavior to mortals.

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But this does nothing to stop the

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outcome of the story.

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In fact the goddess,

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doubly enraged by the impetuosity,

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punishes her even more harshly where

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she was willing to forgive in the

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beginning.

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Does this really mean that the tale is

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telling us to fold and submit to higher

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authorities,

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even when they are wrong and we are

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right?

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One of the lessons here is an

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uncomfortable one - being right

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doesn’t necessarily mean you’ll get

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what you want in life.

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We can imagine a modern-day analogy - a

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plucky young intern joins a powerful

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company and starts to challenge the

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bosses,

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stepping out of line,

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disobeying orders and publicly

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disparaging the entire way the company

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does business.

Speaker:

He may well be right,

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but those in charge aren’t likely to

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respond well to his attitude,

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and he may quickly find himself out of

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a job and even blacklisted.

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The fact that he legitimately knew

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better won’t figure into the

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story—it’s his nerve and

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condescending attitude that earn him a

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smiting from the “gods."

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The intern fails to properly understand

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that his role in the organization,

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his salary and his position,

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all come from those higher up.

Speaker:

He may not agree with everything they

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say,

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but it is certainly unwise to

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flagrantly challenge them.

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Ultimately they still have the power,

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just as Athena has the power to

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completely destroy Arachne,

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whether she won the contest or not.

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This interpretation can seem a little

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discouraging to those who like to

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imagine that the world always rewards

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truth and honesty,

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but again here the more subtle message

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is the power of patience,

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moderation and self-control.

Speaker:

Arachne simply doesn’t think about

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what she’s doing.

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She knows she’s right,

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she’s prideful and full of herself,

Speaker:

and never stops to imagine how things

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may play out for her.

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Let’s imagine the gods and goddesses

Speaker:

as more abstract principles.

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Have you ever known anyone who railed

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and fought relentlessly against,

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for example,

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the government,

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religion,

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culture,

Speaker:

the law,

Speaker:

other people in general?

Speaker:

Those people who always felt themselves

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to be in the right,

Speaker:

those know-it-alls who seldom respect

Speaker:

others,

Speaker:

in particular if those others are in

Speaker:

positions of authority?

Speaker:

This is a rebellious,

Speaker:

haughty person who likes to push back

Speaker:

against business as usual,

Speaker:

the higher-ups… or anything,

Speaker:

really.

Speaker:

If we understand the gods to be

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symbolic principles of a natural

Speaker:

universal order,

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a person who challenges this is someone

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who doesn’t respect forces greater

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than himself.

Speaker:

Perhaps he’s a daredevil with no care

Speaker:

for his own mortality,

Speaker:

and essentially challenges the gods to

Speaker:

a contest every time he performs some

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reckless stunt.

Speaker:

Maybe he’s a haughty scientist who

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boldly claims that there simply are no

Speaker:

“gods,” only the rational world of

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science,

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which he will soon get the better of

Speaker:

using nothing more than his own

Speaker:

intellect (a version of the myth

Speaker:

that’s perhaps a little more relevant

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for modern audiences?)

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He might be a person who can’t be

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bothered learning about history or the

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lessons of his ancestors,

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and so condemns himself to repeat their

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mistakes (i.e. he is punished).

Speaker:

In any case,

Speaker:

a person who doesn’t properly respect

Speaker:

the larger order around them,

Speaker:

including the rank and position of

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their “betters,” is inviting a

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serious reprimand.

Speaker:

Of course,

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nobody would suggest that there’s no

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room for challenging the old ways,

Speaker:

for innovation,

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creativity and new ideas.

Speaker:

And the myths don’t seem to say that

Speaker:

the gods are unreasonable or have an

Speaker:

illegitimate rule over mortals.

Speaker:

Rather,

Speaker:

it’s a question of attitude - Arachne

Speaker:

has little self-control and zero

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humility.

Speaker:

Her ego rages over her self-discipline.

Speaker:

She is talented,

Speaker:

but what does it amount to if she

Speaker:

insists on being so haughty about the

Speaker:

fact?

Speaker:

We can learn from Arachne and her

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mistakes.

Speaker:

The unfortunate fact is that all of us

Speaker:

have to live in a world of hierarchies,

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and there will always be people in

Speaker:

power who we are required to defer to.

Speaker:

Beyond that,

Speaker:

there are universal laws that we simply

Speaker:

cannot push back against,

Speaker:

and shouldn’t.

Speaker:

The myth is not about whether this is

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wrong or right,

Speaker:

however (or indeed about what’s

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“fair”).

Speaker:

Rather,

Speaker:

it’s about the smart way to deal with

Speaker:

things.

Speaker:

History is littered with people who had

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genius ideas but who lacked the tact

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and strategy to get them implemented.

Speaker:

Diplomacy and the right attitude can go

Speaker:

a very long way!

Speaker:

If the myth of Arachne resonates with

Speaker:

you,

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you might like to get in the

Speaker:

self-discipline habit of setting aside

Speaker:

the question of who is “right."

Speaker:

It’s always a good idea in any social

Speaker:

interaction to be respectful where it

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matters,

Speaker:

courteous and humble,

Speaker:

and understand that even if you are

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right,

Speaker:

it’s seldom helpful to brag about it.

Speaker:

The mark of maturity is knowing when

Speaker:

and how to practice a little

Speaker:

self-restraint—and how to hold your

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tongue even if you’re itching inside

Speaker:

to prove that you know better!

Speaker:

With wisdom,

Speaker:

we find the discipline to act in the

Speaker:

interests of harmony and good

Speaker:

diplomacy,

Speaker:

and we trump vanity or our ego’s need

Speaker:

to feel vindicated.

Speaker:

Do you ever carry on and on with an

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argument,

Speaker:

unable to let it go unless you’ve

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thoroughly “won” and the other

Speaker:

person acknowledges it?

Speaker:

Take a page from Arachne’s book and

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let it go.

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At the end of the myth,

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Arachne is no longer human,

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and is condemned arguably to weave

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creations that are nowhere near as

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beautiful as the ones she once made.

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This is the old advice to never “bite

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the hand that feeds you."

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Arachne,

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for all her impressive skill,

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derives her talent from the gods,

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who can swiftly take it away again.

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Arachne’s falls from her arrogant

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position,

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and her ultimate humiliation is to be

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stripped of the skills she was so ready

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to boast about.

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In the same way,

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people who are arrogant and barge ahead

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without a second thought often find

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themselves in a much-weakened position.

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A daredevil young person may be

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overconfident and reckless with their

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own lives,

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but in doing so,

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the gods can take that life away again,

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showing that it always belonged to them

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in the first place.

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This has been

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Legendary Self-Discipline:

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Lessons from Mythology and Modern Heroes on Choosing the Right Path Over the Easy Path By Peter Hollins, narrated by russell newton.

About the Podcast

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The Science of Self
Improve your life from the inside out.

About your host

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Russell Newton